I was born in a small village in Slovenia and grew up in the countryside. My father was a train driver, my mother is an accountant. I have a younger brother who became an engineer.
At the age of 18 I moved to The Netherlands for music, the idea won over my plans to study Latin and old Greek. A few years later, I was immersed into the rich world of Amsterdam’s improvised music scene, which complemented my studies of classical composition in a great way. After 13 years in Holland, I now live between Copenhagen, Denmark, and Trboje, Slovenia, with regular visits to Amsterdam and Berlin.
Welcome to my website.
for bio and cv please scroll down
The second album of my duo with the brilliant Portuguese trumpeter Susana Santos Silva is out on Intakt Records and is called GROW.
Fundacija Słuchaj released a trio album with Ab Baars, Terrie Ex and myself. You can listen to it here.
Die Zeit did a very generous portrait on me, available (in German) here.
My new solo album In Otherness Oneself is out on Unsounds!
A part of the concert we did with Marcin Masecki at Koln's Loft (playing J.S.Bach) is now available to watch online here.
On Innovation and the Future of Music (and art), a collection of interviews is out digitally and in printed, 200 copies limited edition. The zine features drawings by Szymon Gąsiorek and is designed by Maga Ćwieluch.
Kaja Draksler Solo: Zagreb Biennale
Anja Zag Golob, Irena Z. Tomažin, Kaja Draksler: Rojišče #73
Draksler/Bach/Masecki: Goldberg Variations
Kaja Draksler Octet: In Time, music on the words of Matsuo Basho
Czajka & Puchacz at A4, Bratislava, interview & concert
Kiebitz & Uhu ENTSCHULDIGUNG
Kaja Draksler & Irena Tomažin for Glasbeni cikel JUTRI
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“Draksler is one of the most potent musical minds of our time.“
“The young Slovenian pianist Kaja Draksler shows off a wealth of sturdy ideas and nonchalant technique on this stunning solo recording.”
“/.../ the young Slovenian pianist Kaja Draksler pulls together information from a century of experimental music and jazz. She also makes rhythm a priority, and reminds you subtly that she knows what she’s doing. /.../ It’s hard, or maybe impossible, to predict where she’s going to take you. That’s not so common from a young musician.”
New York Times
“Draksler brings austerity, subtlety and poignancy with her fluid piano playing and rings through in bright, rich textures.”